The President of Uruguay, Jos#65533; "Pepe" Mujica, has recently become a global icon. Among other things, he lives a notoriously austere lifestyle; eschews luxury and protocol like no other head of state. Beginning in the late 1960s, the uprising of the Tupamaros shook Uruguay and rippled across the Western world. Born in a middle-class, urbanized society, these guerrillas did not fight within the natural shelters of jungles and mountains, but rather in the concrete maze of the city. Infiltrating residences, bars, movie theaters, sewers, police stations, and mansions, the Tupamaros were everywhere and nowhere. This is the first complete English-language history of the Tupamaros and of Mujica, who under the codename Facundo was directly involved in many operations. As the president himself has said, the way to understand him as both man and politician is as a Tupamaro.
The Sandinista Revolution and its victory against the Somoza dictatorship in Nicaragua gripped the United States and the world in the 1980s. But as soon as the Sandinistas were voted out of power in 1990 and the Iran Contra affair ceased to make headlines, it became, in Washington at least, a thing of the past. Mateo Jarquín recenters the revolution as a major episode in the history of Latin America, the international left, and the Cold War. Drawing on research in Nicaragua, Cuba, Mexico, Panama, and Costa Rica, he recreates the perspective of Sandinista leaders in Managua and argues that their revolutionary project must be understood in international context.
Latin America in the 1960s and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, the idea of social change was in the air. While many aspects of this topic has been explored, the cultural--and especially musical--dimension of this movement, so vital in order to comprehend the extent of its emotional appeal, has not been fully documented. In this collection of essays, the history of the militant song movement in Chile, Uruguay, and Argentina is examined.
Klien makes the case for a Green New Deal--explaining how bold climate action can be a blueprint for a just and thriving society. On Fire: The (Burning) Case for a Green New Deal gathers for the first time more than a decade of her impassioned writing, and pairs it with new material on the staggeringly high stakes of our immediate political and economic choices. These long-form essays show Klein at her most prophetic and philosophical, investigating the climate crisis not only as a profound political challenge but as a spiritual and imaginative one, as well. On Fire captures the burning urgency of the climate crisis, as well as the fiery energy of a rising political movement demanding a catalytic Green New Deal.
An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? And who gets to decide which ones should stay up and which should come down? Erin L. Thompson, the country's leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles brings much-needed clarity in Smashing Statues. She traces the turbulent history of American monuments and its abundant ironies, starting with the enslaved man who helped make the statue of Freedom atop the US Capitol, and explores the surprising motivations behind such contemporary flashpoints as the toppling of a statue of Columbus at the Minnesota State Capitol.
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