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Little Red Barns

"We are in a fight for our lives against a rising authoritarian tide, and this clear-eyed, compelling, clarion call of a book has a message everyone needs to hear."-- Behind the little red barns dotting the landscape and decorating so many of the products we consume is a dangerous threat. This groundbreaking investigation exposes the powerful forces at work to hide the harms of industrial agriculture, its outsize role in the climate crisis, and its links to the global rise of fascism. 

The Secret Public

Jon Savage explodes new ground in this electrifying history of pop music from 1955 through 1979. In demonstrating that gay and lesbian artists were responsible for many of the greatest cultural breakthroughs in the last half of the twentieth century, he shows that it was their secretly encoded music--appealing to a closeted but greatly oppressed public--which led to the historic dismantling of discriminatory gay laws and the fusion of queer and straight culture. 

The Undertow

An unmatched guide to the religious dimensions of American politics, The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies-sometimes realities-of violence. Across the country, men "of God" glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war-a firestorm they long for as an absolution and exaltation.  Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. 

The Injustice of Place

A sweeping and surprising new understanding of extreme poverty in America from the authors of the acclaimed $2.00 a Day: Living on Almost Nothing in America.   Three of the nation's top scholars ­- known for tackling key mysteries about poverty in America - turn their attention from the country's poorest people to its poorest places. Based on a fresh, data-driven approach, they discover that America's most disadvantaged communities are not the big cities that get the most notice. Instead, nearly all are rural. Little if any attention has been paid to these places or to the people who make their lives there. This revelation set in motion a five-year journey across Appalachia, the Cotton and Tobacco Belts of the Deep South, and South Texas. Immersing themselves in these communities, poring over centuries of local history, attending parades and festivals, the authors trace the legacies of the deepest poverty in America--including inequalities shaping people's health, livelihoods, and upward social mobility for families. 

Toward Camden

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold. 

Conflict Graffiti

This study examines the waves of graffiti that occur before, during, and after a conflict--important tools of political resistance that make protest visible and material.   In Conflict Graffiti, John Lennon dives into the many permutations of graffiti in conflict zones--ranging from the protest graffiti of the Black Lives Matter movement in Ferguson and the Tahrir Square demonstrations in Egypt, to the tourist-attraction murals on the Israeli Separation Wall and the street art that has rebranded Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but as the conflict subsides a new graffiti and street art scene emerges--often one that ushers in postconflict consumerism, gentrification, militarization, and anesthetized forgetting.