Throughout nineteenth century America, religious officials often condemned the theatre as an inversion of the house of God, similar to the church in architectural structure and organization but wholly different in purpose and values. This book explores the many ways in which religious institutions supported by capitalism profoundly affected the early development of American theatre.
This is a collection of thirteen original essays from a team of leading Williams scholars. This wide-ranging volume covers Williams' works, from the early apprenticeship years through to his last play before his death in 1983. In addition to essays on the major plays, the contributors also consider selected minor plays, short stories, poems, and biographical concerns.
This is primarily a transcript of a series of interviews with Stephen Sondheim, focusing on his work as a composer. During the interviews, he and the author look through Sondheim's manuscripts and sketches and discuss the creative process. The discussions focus on six shows: Passion, Assassins, Into the Wood, Sunday in the Park with George, Sweeney Todd and Pacific Overtures but every Sondheim score comes up in conversation.
This book offers new essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson's legacy since his death in 2005.
How has the media since the First Gulf War altered political analysis and how has this alteration has in turn affected socially-critical art? Colleran examines more than forty plays, many written in direct response to the 1991 war in Iraq as well as to the 9/11 attacks and the retaliatory actions in Iraq and Afghanistan.